Pra Pid Ta Pim Chalud Yai Nuea Pong Wan Jum Rak, Nirodha Buddha ancient hand pressed Sacred Powder Lacquered amulet of Luang Phu Glin, empowered with the Wicha of Luang Phu Iam.
The Pra Pid Ta Wat of Sapan Sung Temple, is a Dtamra (legendary series) that spans over various generations of abbots, all of whom have managed to gain equal fame and high repote for their Pra Pid Ta amulets, all of which preserve the style and methods of the original Wicha made so famous by Luang Phu Iam. All editions of Pra Pid Ta Wat Sapan Sung are highly sought after. and seen as preferred Master Class category amulets (Pra Niyom), regardless from which Master they came from.
The Pra Pid Ta of Wat Sapan Sung is known in two major Pim (models), namely the Pim Chalud (Blind Man model), and the Pim Dtapap (Terrapin model). Mostly the amulets would be covered in Lacquer, with some very few exhibits in pure powders. Others can be found to have had the lacquer cleaned off them by devotees in later years.
It is known that Luang Phu Glin, one of the Great Masters of the Wicha Pra Pid Ta Wat Sapan Sung, was allergic to Lacquer, and so his versions never had lacquer on them applied by his own hand, and were pure powders, but would be there-after lacquered, by the novice monks and apprentices, to assist Luang Phu, and also devotees in those days would often treat the amulets themselves with lacquer.
Luang Por Tong Sukh and Luang Phu Iam however, would more often than not dip the Pra Pid Ta in lacquer as a protective layer of their own accord, and their amulets are more often found in lacquer+powder mixed version than those of Luang Phu Glin, who would make them from only powders, and allow the exterior to be lacquered.
Below; Luang Phu Glin, of Wat Sapan Sung
The Pra Pid Ta of Luang Phu Glin are considered equally powerful to those of his Mentor Luang Phu Iam, because during that time when LP Glin was making the amulets, he would always invite Luang Phu Iam to assist in the empowerment of the amulets, which means that both masters performed blessings in the Luang Phu Glin Series of Amulets.
All masters have followed the same design and method of lacquering, resulting in the amulets of each master being very similar in design, and mostly can only be differentiated by estimation of the age of the lacquer and Muan Sarn Sacred Powders in order to determine which Generation of Master the amulet came from.
Luang Phu Glin was hence the Kroo Ba Ajarn who passed on the Wicha to the Great Luang Por Tong Sukh, whose Pra Pid Ta are regarded with equal reverence and faith in their power as those of his lineage mentors Luang Phu Iam and Luang Phu Glin.
In the year 2482 BE, Luang Phu Glin passed away, and Luang Por Tong Sukh was given the emergency status of temporary Abbot until 2490 BE, after which he was officially instated by the Sangha Comittee as Abbot with full documentation and Royal decree.
He performed his duties and continued the work of Luang Phu Iam and Luang Phu Glin, and was now the new Master and Guardian of the Wicha Pra Pid Ta Wat Sapan Sung, as the third important master of the lineage Wicha.
It is said that the Pra Pid Ta amulets of all three Masters are collected with equal fervency and preference by devotees, the only difference between the amulets of these three masters being the age and the price. Amulets from all three masters possess the original powders of Luang Phu Iam.
There are two major models (Pim) of Pra Pid Ta Wat Sapan Sung; the Pim Chalud, and the Pim Tapap. Both the Pim Chalud and the Pim Tapap models are very highly revered and sought after, with his most preferred and rarest models being the Pim Sader Jun, Sader Bum,, and the Pim Sorng Sader (2 belly buttons), and the Pim Tapap (Terrapin Model).
The Pim Sader Jun is very rare, made in the year 2495 BE, and fetches very high prices on the marketplace, starting at about 1000$ and upwards. However, it is a fallicy that the Pim Sader Jun was only pressed in 2495 BE, as Luang Por Tong Sukh kept pressing the Sader Jun amulets with the very same block press until it broke sometime between the years 2510 BE and 2520 BE. The Pim sader Jun and Pim Sorng Sader remain his rarest and most highly valued models, fetching extremely high prices with collectors.
The Pra Pid Ta Wat Sapan Sung are highly renowned for their powers of Maha Pokasap Metta Maha Niyom Klaew Klaad Kong Grapan Chadtri, to bring great wealth and protection to the wearer. How to Chant Kata Pra Pid Ta Chanting Tutorial is included as a mp4 download after purchase of this amulet in your account under the file downloads section.
Kata Pra Kawambadee
(This kata is for increasing ones wealth and belongings and good fortune);
Namo Puttassa Kawambadtissa
Namo Tammassa Kawambadtissa
Namo Sangkassa Kawambadtissa
Sukha Sukha Warang Na Mo Puttaaya Ma A U
Tugkhang Anijjang Anatta Jewa Segkhaa Tammaa Yataa Put Mo Na
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