Pra Taep U-Dting Elephant Charm, Carved Ivory with red Krang Muan Sarn Paste, carved from ancient ivory, an ancient Thai Lanna Sorcery Animist Charm from the Great Kroo Ba Wang, of Wat Ban Den. Taep U-Dting is a Burmese Legend of a Bodhisattva Prince called U-Dting, who was taken from his Parents, and had to be raised in the forest with a Lersi Hermit Sage. The U-Dting can be worshipped in the same way as In Koo, Chang Saep Nang, and Ma Saep Nang, using Kata Wicha Sanaeh Lanna, or/and In Koo
The Hermit Sage taught all of his secrets and sorcery spells to Pra U-Dting, who learned to master the Art of commanding herds of elephants with his will. The Prince U-Dting then returned to the city of his birth, and ruled it with great wisdom. He won all of his wars and battles, and conquered all of his enemies.
Because of the Victorious Merits of the U-Dting Legend, the Sorcerors and Wizards of olden days created the U-Dting amulets, carved in the image of Pra Taep U-Dting riding upon the back of an elephant, sometimes alone, sometimes playing music, and most popularly, on the back of an elephant with a beautiful maiden seated behind him in attendance.
More often than not, the U-Dting amulet is mostly seen carved into the form of an elephant with a man and a woman embracing and kissing on its back. The Pra U-Dting is mostly made from carved sacred wood, ivory, but is also seen as cast brazen metal loi ongk statuette, and even carved stone, and in earthen clay form. The Hermit Sage taught all of his secrets and sorcery spells to Pra U-Dting, who learned to master the Art of commanding herds of elephants with his will.
The Prince U-Dting then returned to the city of his birth, and ruled it with great wisdom. He won all of his wars and battles, and conquered all of his enemies.
More often than not, the U-Dting amulet is mostly seen carved into the form of an elephant with a man and a woman embracing and kissing on its back. The Pra U-Dting is mostly made from carved sacred wood, ivory, but is also seen as cast brazen metal loi ongk statuette, and even carved stone, and in earthen clay form. The Pra U-Dting is generally considered to be a powerful Metta Maha Niyom Maha Sanaeh Charm, but also Kaa Khaay magic, for profitable commerce.
The symbolism of Pra U-Dting returning home with a beautiful Maiden by his side on the elephant, carres the meaning 'Bpai Hneung Glab Sorng', which means 'to set forth alone, come back as a couple' (Maha Sanaeh Seduction), or also, 'one leaves, two return' (Kaa Khaay Prosperous Commerce).
There is a tradition amongst the Tai Yai people to give the Pra Taep U-Dting amulet to bride and groom in wedding ceremonies, as a symbol to increase the mutual love between the newlyweds. The Pra Taep U-Dting amulet is usually made using a very long and complex set of formulas with a large empowerment ritual performed in the deep forests, and is a very complex ritual to perform.
A Pristine and finely honed piece of Master-Artisanry, can be seen with this sacred blessed animist charm of the Northern Lanna Master Kroo Ba Wang, of Wat Ban Den. This is an Immensely Rare Early Era hand-carved version of the In Ma Saep Nang Nga Gae hand carved Lady-Horse Prai Deity, in Nuea Nga (Sacred Ancient Ivory). Empowered with the Ancient Northern Lanna Tradition Wicha, and Magical Incantations. A truly rare and world-famous classic amulet, from Olden Days Master Kroo Ba Wang, Top Lanna Master and deceased ex-abbot of Wat Ban Den.
Free registered airmail shipping worldwide is included with this amulet. The Ma Saep Nang measures 2.5 x 2 Cm, and has been pristinely carved by a master-artisan for Kroo Ba Wang to empower, and has inscriptions made by hand on the base of the amulet. Empowered with the invocation of the Prai Ma Saep Nang Deva and is imbued with Lanna Maha Sanaeh magic for Seductive Influence, Metta Maha Niyom Mercy Charm and Maha Lap Wealth Increase (through attracting admirers, good customers, and, promotion from bosses, and helpful friends).
Luang Phu Kroo Ba Wang is Legendary for his Maha Sanaeh Magic, was one of the most famous of the Northern Lanna Guru Masters of the Olden Days. Highly preferred for his In Koo and In Ma Saep Nang amulets, as well as his famous Takrut scroll, Pra Rahu, and Pha Yant Sacred Geometry Yantra Cloth Spells. Of the Pha Yant he was especially renowned for his Pha Yant Ma Saep Nang Lady-Horse images.
Luang Phu was born in 2434 BE, in the country into a family of famers and market traders, In those days, the only way to get any schooling in the countryside was to stay in a temple and learn with the Monks. And so, at the age of nearly 9 years old, his father took him to live at the nearby temple, to learn to read and write. After about 3 years. Luang Phu could read and write fluently enough, and so he was able to ordain into the Sangha as a Samanera Novice Monk.
Luang Phu was born in 2434 BE, in the country into a family of farmers and market traders, In those days, the only way to get any schooling in the countryside was to stay in a temple and learn with the Monks, and so, at the age of nearly 9 years old, his father took him to live at the nearby temple, to learn to read and write. After about 3 years. Luang Phu could read and write fluently enough, and so he was able to ordain into the Sangha as a Samanera Novice Monk in the year 2445 BE. Luang Phu then began to practice Khom Sanskrit Agkhara and Wicha, and within a very short period of time became so adept that he could chant every single line of Agkhara from memory with great aptitude.
Pra Kroo Gantiya was his Upachaya Ordaining Officer, and Pra Ajarn Bpan was his Pra Gammawājājarn (Prompter). Pra Atigarn Bpum was his Pra Anusawanājarn (Witness). Luang Phu was given the Chāyā (official Monks Name) of Prohma Sēno. Luang Phu Kroo Ba Wang then stayed on at Wat Ban Baen in Lampoon for a period of 2 years more.
After this Luang Phu Kroo Ba Wang then moved to stay at Wat Ban Hmueang Jee, which was in his home area where he was born. Luang Phu then continued to study and practice Wicha Akom and Khom Agkhara for a further three years, until he became inspired to take up the practice of Tudong Solitary Forest wandering.
Luang Phu then travelled through the thick forest area of Pha Teub, on is way towards Chiang Saen, and stopped in the forest to practice for 6 months. Once he reached Chiang Saen, he stayed around the area practicing for some years, until he decided to travel towards Prae Province, where he finally arrived and stayed at the temple of Wat Den Chai. He stayed at this temple to master the various Sorcery Methods of the Region, so that he would be able to perform Powerful Incantations enabling him to cast spells and blessings to offer protection, happiness and prosperirty to the fold, and to send metta and merits to the Nature Spirits of the Nether Worlds, with Compassionate Mercy Magic.
Once he had mastered this Wicha, he then set forth once more, and practiced Tudong, until he came to rest at a very peaceful place in the forest called 'Pha Den Gradtay', which was very auspicious in energy. There was a small village nearby which was impoverished, and Luang Phu then decided to build a temple with the help of the locals. But Luang Phu was first called back by locals of the temple at Wat Dton Tong, so he agreed and went backl to assist the with their needs.
After one year helping them, he was able to return to Pha Den Gradtay, and built three Kuti Huts and invited some other monks to come and stay, and assist in developing the temple.
Then in the yeat 2508 Luang Phu Kroo Ba Wang began to build the Uposadha Shrine Room and the locals of the surrounding areas began to hear of his merits, and flock to the temple to make donations and assist.
The Uposadha was then finished in the the year 2510 BE. Luang Phu became famous for both is great ability to finish the temple of Wat ban den in Miraclulously short timespan, and also for his many Wicha, including Horasart (Astrology), Amulet making, Maha Sanaeh and Metta Maha Niyom Maha Lap Magic, and his ability to use Candle Magic to eliminate Bad Karma.
In the year 2513, time caught up with Luang Phu and he became ill, and began to weaken with age, and became unable to travel, and stayed for the rest of his life performing meritorious acts for the temple and the devotees, until his final passing at Wat Ban Den, in the year 2516 BE.
Kata Sanaeh Lanna
Na Mo Puttaaya Na Ma Pa Ta Ma A U Idtipiso Pakawaa Arahang Samma Samputto Na Mo Puttaaya Na Cha Na Ka (3 times)
Dtae Dtii Dtu Dta Nia Mia Pia Tia
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